The one where we learn what I have in common with Crash Davis (except, in all honesty, I get the words wrong on a lot of songs). Still …
Read More...If you need something satisfying to say after you toss something out of your life, this kid, via Charlie Jane Anders, has the perfect dunk.
Read More...A quote that’s been on my mind lately: “You are the sky. Everything else — it’s just the weather.”
Read More...A bully, a coach and a nun did me wrong when I was a child. Sometimes, evil literally whips your ass.
Read More...Published June 17, 2018
Lady Bird was released in December, but I didn’t get around to watching it until awards season, just before the Oscars. I meant to write something about it sooner, but life got in the way. I loved it enough to buy it, and I re-watched it this weekend.
Published May 3, 2018
My desire to see “The Post” owed mostly to my long career in newspapers, but motivations are often complex, and that was true about my interest in this movie. A believer in the role that newspapers have as watchdog, I felt an extra pull to view Tom Hanks as Ben Bradlee and Meryl Streep as Katharine Graham. Those characters, the editor and the publisher of The Washington Post at the time of the controversial public disclosure of the Pentagon Papers, have been well known to me for decades.
Cartoon by Cartoonresource
Published May 20, 2015
This is the longest piece I’ve posted here to date. It’s about the way we quote people — and misquote them. It’s a lot of words about sometimes minor differences between the reality of what someone says and the popular but inaccurate way it’s later retold. In the end, very little of substance is affected, but it’s always been interesting to me the way what a person says, quite often, goes down in history as something other than the actual, verbatim quote.
Equally engrossing to me is deciding when it matters and when it doesn’t. Most times, it’s nothing more than a minor footnote, of interest only to someone like me who enjoys dissecting and analyzing what people say and how other people retell it. For most people, this entry falls into the “too long, didn’t read” category, and that’s OK. But if you have a similar interest in how quotes become misquotes, you might have noticed these things too. Also, if you make it to the end, you’ll be rewarded with a couple of fun videos that poke fun at misquoted lines, or list dozens and dozens of them. So, there’s that.
Don’t misunderstand me (or misquote me): This is not a dissertation, nor an indictment of the way popular culture hands down such quotes. Also, I don’t have the answers from oral-history experts regarding questions I have about this common dynamic, and I don’t have scientific explanations, particularly regarding misheard or misremembered quotes, but I’ve enjoyed collecting and writing about phrases that have become part of history or pop culture, or both. And, as I consider this post a work in progress, a collection of notes I’ve kept over the years, expect it to be augmented and perhaps annotated from time to time.
Published May 13, 2015
So, we’ve learned that statistical analysis shows that punk was not a musical revolution.
It’s time to cease those perpetual debates with your friends about whether Nirvana’s Nevermind was a musical revolution. Once again, science has done its job, and we can all stop having differing opinions on a subject that was previously thought to be open to subjective interpretation. According to the BBC, a recent scientific study has demonstrated definitively that pop music has been marked by exactly three revolutions, no more, and no less. So it’s time to cool it with that “Elvis changed everything” nonsense.Queen Mary University and Imperial College in London looked at more than 17,000 songs from the United States’ Billboard Hot 100 Chart, and found exactly three “music revolutions,” something which can definitely be quantified and logged as pure data. The scientists defined a revolution as a “period of extremely rapid change within the charts.” Evaluating a number of musical characteristics, such as timbre, harmony, chord changes, and how they shifted over time, these intrepid researchers were able to pinpoint exactly when these musical revolutions happened, and can confirm that, no, punk rock really didn’t change anything.
Reading about this, I couldn’t help but remember a comment by a friend’s 13-year-old daughter years ago after she saw “Sid and Nancy.”
“I love the punk movement. It was really a romantic movement disguised by horribleness.”
I know I didn’t say anything that interesting when I was 13. Her mom told me she made the comment after seeing the movie and reading the following passage written by Colin McDowell in Harper’s Bazaar:
“Powerful enough to frighten old ladies in the street, punk was actually a romantic movement hiding its insecurities and fears behind a buccaneering, sneering facade.”
And really, doesn’t that pretty much describe all of us, in one sense or another?
Image by carlos castilla via Shutterstock.